Un-Tall Tales now in Kindle

Un-Tall Tales cover, draftIt was in paperback, and now by popular demand of the author himself, Un-Tall Tales is in Kindle too.

Un-Tall Tales is Chris Page’s collection of short fiction, flash fiction, poetry, and odds and ends, all in one slim volume with lots of white space, short paragraphs, and easy-to-read short sentences.

And to mark this event, you can grab a copy for free.

From January 18th, through the 22nd you can download a Kindle copy from the Kindle site, without paying the whopping £1.99 Un-Tall Tales would normally set you back.

What’s in Un-Tall Tales for you?

The Freebie

Is Billy Freeb the world’s most innovative musician or is he the world’s laziest man? Is he a genius or is he a plonker? Billy’s 15 minutes are upon him — will he survive?

Cats Die 

Middle age and disillusion are creeping up on our hero and he plans to take it lying down. His adulterous plan could bring him release or ruin. Or, of course, nothing in particular.


These poems, as all good poems should, explore underpants, teeth, chickens, and tombstones.

Dumb Novel

A lot of dumb novels are big hits, but in this story the hero becomes the biggest of hits for dumbest novel he didn’t write.


Houdini did it, so why not our hero? Well, he’s not Houdini, is he. On a whim, he has himself chained, locked in a box and dropped through a hole drilled in the Arctic ice cap. Will he survive?


Extracts from a weblog by an author on the go. Talking cats, sausages, new uses for bananas, nuclear explosions in the office, sex on trains, more sausages — is it real or is it made up? You decide.

Un-Tall Tales is available, as are all Chris Page’s other stories, from the author’s Amazon page.

And Un-Tall Tales (note to SEO manager: am I repeating the title enough times?) has a site of sorts of its own, where you can read extracts and see other bits and bobs.

The winter is long and cold, and late January is officially the most depressing time of the year, so this is a great opportunity to curl up in your basket with a good read without messing with the post holiday budget.

Note: Un-Tall Tales includes The Freebie, which was published by the London Magazine in 2002, and in 2019 published by Psipook Press as a stand-alone ebook.

Another note: On this page I have linked to my Amazon UK author site, but for best downloading results, go to your regular regional Kindle store (ie, where you usually download your Kindle books).

Final note: Many people have understandable reservations about using Amazon. If you prefer, please contact me directly and I’ll send an ePub file.


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Shit, Sherlock!


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November 29, 2017 · 1:54 pm

Nothing more horrible than a nice cup of tea, don’t you think?

Of all the stupid things people say, one of the most stupid is ‘Would you like a nice cup of tea?’ I mean, what is the word nice doing in that sentence? It’s the sort of thing daft old grannies like to say. ‘Ooh! Let’s have a nice cup of tea.’

So I went round to my Gran’s the other day and I said, ‘How’re you doing Gran?’ and she said, ‘All right, you know, considering.’

She’s dead, my Gran, but she takes great care of herself, you know what I mean?

So she says ‘Come in, sit down. Would you like a nice cup of tea?’

I thought to myself, God, if I hear that one more time … But I said, ‘No thanks, Gran I’m all right.’

Then she said, ‘Would you like a horrible cup of tea?’

I thought for a moment. ‘How horrible? Without sugar?’

‘Without sugar. And I’ll spit in it.’

‘Nah, I’m not too bothered, thanks, Gran.’

‘I’ll put some spiders in. No sugar, spit, and spiders. And I’ll make it with toilet water.’

‘Aye, all right then. Cheers.’

‘And how about some nuclear radiation?

‘Nuclear radiation?’

‘Nuclear radiation. I’m got some yellow cake.’

‘Now you’re talking, Gran. Champion!’

This nice cup of tea was brought to you by Un-Tall Tales, the collection of short fiction, flash fiction, holed socks and bits and bobs by author Chris Page. And by an odd coincidence, George Orwell had strong opinions about tea too.


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Cats Die

‘What’s the difference between melancholy and sad, Dad?’

‘Hmm. I am sad because my cat died. I am melancholy because all cats die eventually. Sad is pretty quick, but melancholy goes on and on and on.’

Rory and Tanya, five and seven years old, sprawled across the sofa and his lap, were quiet a moment, perhaps trying to fathom the subtle distinction their father had just alerted them to, or perhaps trying to locate some melancholy within themselves.

If the latter, they won’t find any, they are simply too new for melancholy. Melancholy is for silly old losers like their father.

H and the kids are having a rare five minutes together and they are reading a book about another melancholy old loser called Joe, who has lost his cat up a tree.

For H, for anyone, it is tough at the age of thirty-nine to accept that you are a silly old loser. The understanding can seriously spoil your life. But H is resourceful; he can deal with it. In fact, he plans to take it lying down.

H is horrified by the utter predictability of Joe’s story. Joe dotes on his cat. But the darn thing took a stroll up this tree hours ago and can’t get back down again. It is way up there, near the top and Joe is way down here at the bottom. The cat sits up there all on its own, quite unbothered by its predicament, fat and smug and very aloof.

A neighbour comes along with a ladder and offers to help, but Joe refuses because he doesn’t want to put the neighbour out. The neighbour tells Joe he would love to get the cat out of the tree because it is such a fine animal and no man should be separated from his cat. Joe says no. The neighbour goes away. Then the fire brigade comes along but again Joe refuses help because he thinks a whole fire engine and crew and mechanical ladder is too much palaver for one silly cat even if the fire brigade is specifically there to help people. The fire brigade goes away. Next the local human pyramid team comes along and say they would love to make a human pyramid tall enough to fetch the cat down. They insist that building human pyramids is their absolute favourite thing and it would be no trouble at all. Joe doesn’t want to be responsible for anyone falling off the pyramid or being hit by a low flying jet. The human pyramid team goes on its way.

Along comes a snotty-nosed boy with a catapult, who tells Joe he is such a good shot he can ping the branch with a stone and the cat will drop out of the tree and into Joe’s hands. Joe is horrified. Suppose the boy accidentally hits the cat, suppose he did hit the branch but Joe missed the falling animal, suppose the boy missed the tree altogether and the stone pinged on someone’s head. So the deadeye, snotty-nosed little dick goes on his way too, leaving Joe to stare forlornly at the cat, no closer to getting his hands on it, his flow of opportunities apparently all dried up.

It was not clear to H what or who Joe was waiting for.

As he was reading, H’s mind was elsewhere speculating on the ending of the story. Joe will do nothing useful and will continue to refuse all offers of help. Eventually a big wind will come along and the cat will be blown out of the tree and into Joe’s grateful and relieved hands. Then, of course, in the same wind the tree will topple, impaling Joe and his cat with its spiky branches.

‘Did your cat die, Dad?’ asked Rory, throwing H with this abrupt return to the theme of sad and melancholy.

‘Yes, it did, young man. Very much so.’

‘When did it die?’ Tanya wanted to know.

‘Years and years ago. Or was it years and years and years ago? I forget which.’

‘Did you cry?’

‘What do you think?’

‘I think you cried like a poof.’ They giggled cruelly.

H was not sure whether he was more put out by the barbaric stereotyping in the remark or by the emphatic dismissal of crying as a legitimate response to nature. Tears, after all, are the wine of melancholy.

The above extract is the beginning of Cats Die, a short story collected in Un-Tall Tales by Chris Page

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Underpants and Teeth

every day, day after day after day,

we wash our teeth and

change our underpants

and we wash our teeth and change our underpants

day after day after day

and this is life; this is what we do

to keep the days going by

day after day after day

we wash our teeth and

change our underpants

and we learned from our parents

who day after day after day

washed their teeth and changed their underpants

the need to wash our teeth and change our underpants

day after day after day

and in our turn we’ll teach our children

to wash their teeth and change their underpants

day after day after day

and we will go on

day after day after day

washing our teeth and changing our underpants

until we have no more teeth to wash

and no more underpants to change

and then we’ll die

and then we’ll be dead

day after day after day

From Un-Tall Tales, by Chris Page

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Bananas on my mind

May 27, 2004

How many uses for a banana are there? I can think of a few.

  • mimikaki for people with large ears
  • if tied to the bottom of feet they are a cheap alternative to roller blades by virtue of the slippy quality of banana skins
  • a crutch for a small person
  • a device for cleaning around the U-bend in toilets
  • a neck support for passengers on long haul flights
  • a stirrer for your tea
  • a friend to talk to
  • using advanced laser technology, a banana could be a device for storing huge amounts of information such as a novel like War and Peace: using clever mathematical formula you can encode War and Peace as a single long number: using clever laser technology you measure the exact mid point of the banana, then convert your number code for W&P to a fraction of one, and burn a line exactly that fraction of a centimetre from the mid point of a banana, and voila, you have the entire contents of W&P stored on a banana
  • a non-returning boomerang
  • a dug-out canoe for mice
  • an artificial chonmage
  • a lump in your pocket
  • prosthetic fingers for amputees
  • a snorkel for people who don’t do their snorkelling under water
  • vegetarian sausages

Extract from ‘Bog’ in Un-Tall Tales the collection of short fiction by Chris Page.

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Sex on the commuter train

November 21, 2003
image loadingOn my way to work this morning I was reading Haruki Murakami’s Wind Up Bird Chronicle. I don’t know if you’ve read this novel, but if you have you will know that it has some pretty frank sex scenes in it. I came on one of these scenes while hanging from my commuter handle. It’s weird. The book has 605 pages and just a few of these sex episodes, but I only come on the sex when I am on the train. What do you make of that? I don’t come on these scenes when I am alone or in private. I come on them when I am on a crowded train, standing crushed between smelly old men and old women who look like sacks of potatoes. Anyway, so I’m reading this steamy scene this morning and I guess I was in a pretty vulnerable state because I started to overheat, if you know what I mean. Right there, with all the commuters and the bad breath, I am getting a woody. So I stop reading and look around the carriage to find something to distract myself before it gets too obvious. And I make eye contact with this young woman right in front of me. I figure she had noticed my state of heated fluster but instead of being shocked or offended, instead of mocking me, she was getting pretty turned on too. I mean, it was just obvious. So we stared at each other, each with the same thing in mind. She was pretty darned good looking too. So this is a situation. We are two strangers consumed by the hots for each other — I mean urgent hots — but we are on this crowded train. What to do? Without a word, we climbed up on to the luggage rack and had energetic, wonderful sex right there, above the oblivious heads of the other commuters who were perusing their morning papers, listening to walkmans, reading books, staring out the windows, scratching their balls, picking their noses. Eventually the train reached my stop. She pulled on her clothes and got off the train too. Most people were getting off here. On the platform I looked for her, but she had been absorbed already in the thick crowds. Absorbed, dissolved. Gone. And me too. I went on my way to work.

From Bog, the blog thing, in Un-Tall Tales

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The Freebie sample

This is a short extract of the story The Freebie, which first appeared in the July 2002 edition of The London Magazine. The full story features in Chris Page‘s paperback collection of short fiction Un-Tall Tales and the ebook collection Shorts. Now read on.


cigBILLY WAS just thinking he ought to call The Enemy when the phone rang. It was The Enemy.

‘Hi, this Justin Lastname of The Enemy here. Can I speak to Billy Freeb?’

The Enemy? Justin Lastname of The EnemyThe Justin Lastname of the The Enemy? Billy was not sure what to make of this. On uncountable occasions in the past howevermany years Billy had not called The Enemy. Whenever he was conscious he thought he ought to call The Enemy, but he never actually did. Now they were calling him.

‘Yeah, this is Billy Freeb,’ he said.

‘How’re you doing Billy?’ asked Justin, brightly business like. ‘Your name has been buzzing round the office lately. We at The Enemy are very excited about what you’re doing.’

Billy was picking his nose. He stopped and said ‘uh.’

‘Yeah, we thought we’d do a short piece on you. Nothing grand just yet, maybe five hundred or a thousand words, a photo. See how it pans out.’


‘If, of course, you agree. What do you think, Billy?’

‘Er … How did you find out about me — my work?’ he mumbled at the edifice of awe and fear that had popped up next to the telephone.

‘Well I have a big memo right here on my desk, Billy. Makes interesting reading, almost enough for a story but without one crucial thing — you yourself, Billy.’

‘I see … As a matter of idle curiosity, do you know why you happen to have a big memo about me on your desk?’

‘Oh, I imagine one of our staffers saw one of your gigs and put your name about.’

‘I haven’t actually done any gigs,’ said Billy. ‘That’s kinda the point, isn’t it.’

‘Oh …’ the sound of a seismic shift of papers, something heavy toppling, ‘that’s — ’ and the light summery rustle of memo, ‘right. Well, I suppose one of our staffers didn’t see one of the gigs you didn’t do and decided to put your name about. So what do you say, Billy? Why don’t we meet for lunch? I …’


‘Billy? Billy? You all right?’

The mention of food had sent Billy into peristalsis.

‘Aaaaaagh!’ he expanded, but pulling himself together with an eviscerating drag on his cigarette, he arranged to meet Lastname at an Indian restaurant in Islington.

‘See you there,’ said Billy.

‘Check,’ said Justin.

Great! Fame! And Billy had done absolutely nothing to earn it but think about it! And a free lunch to boot! Not that he ever ate — that was against his principles, or against the chemicals in his blood — but a free lunch means free booze — and that was very for his principles and the chemicals in his blood, both.

But fame. ‘I don’t believe it’ said Billy lamely, the dead receiver still in his hand. ‘Help.’ Abandoning the handset to the floor, he lit a cigarette and stumbled giddily from the hall into his room.

He felt profoundly nauseous. His body didn’t miss food too much so long as he remained supine or drunk, but he was neither at the moment, and now with this adrenaline rush on top of this morning’s quart of black instant coffee and ten Camel, his legs suddenly felt rubbery and he badly needed the toilet.

‘I don’t believe it. I can’t believe it. I refuse to believe it. Someone’s yanking my chain.’ Either that Lucien Savage had put someone up to it — in which case he was dead meat in the Kropotkin Arms — or the call was genuine, in which case he would have to face an interview with the gargantuan Justin Lastname … and there from, record contracts, gigs at Wembley, TV spots, fame, wealth, an active and varied life — unlimited sex, drugs — everything he had ever wanted. Really, it was a no-win situation.

The thought of drugs helped to steady his mind.

He had to get rid of this deeply settled sensation of poison and incipient death, get clear-headed, get on top of the situation. He did this by making another pint of black coffee and pacing round his flat drinking, smoking and retching.

He reasoned his next job was to find out whether the call from Justin Lastname was straight up. With this new task he took his pacing into the spare room of his spare, lopsided flat.

The spare room was unused except by himself. He would sleep there once or twice a week when that Lucien Savage squatted Billy’s own bedroom, overriding Billy’s own squatter’s rights in order to do sex in Billy’s bed to whomever. That whomever was invariably a very recent whomever whom Savage had just met — perhaps just minutes before — in Billy’s neighbourhood, from whom he wished to keep his own proper location a secret and/or whom he couldn’t wait the length of time it took to get across town from Stoke Newington to do sex to.

Savage hated Billy because Billy had a two-bedroom squat which he refused to share with anyone, because it was the only squat in the world with a telephone, and because Billy’s universally connected parents had found the gaff for him and sent round a council workman with keys and a claw-hammer to open it for him. Billy’s parents had done this in the hope of keeping him off their backs and out of their pockets. Indeed, with Billy safely stowed away down here in Hackney they might be able to make that move to Richmond without him finding out where they had gone or even noticing.

Savage would usually show up between one and six in the morning and put upon Billy’s sleepy-stoned-drunk head while propping the unconscious whomever against the doorframe. Billy would put his foot down: not this time. Invariably the argument would get round to the flat theme and Savage’s line would go like this:

‘Listen, man, you’ve got all this space here which you jealously guard, which you, which you squat like a Tory. You’ve even got a telephone that you never use, for Christ’s sake — I mean what’s the point of having a telephone if you never talk to anyone? You’re a bloody hermit, Billy, you don’t deserve friends. Look, if you won’t let anyone live here, why not just be a human being once in a while and let your mates dip a finger in your manna?’

Savage was not rankled because he was without adequate accommodation, having talked himself into an overly generous share of someone else’s squat in Kentish Town, and neither did he believe that Billy was taking space that could be better used by any of London’s tens of thousands of more deserving people. Savage was rankled simply because he was that kind of guy.

‘I’ll tell everyone in the Kropotkin that Mummy had your squat cracked for you,’ Savage would threaten. Savage knew a lot of things. He was a stockbroker and in order to trade his shares — his cathode blips, his abstracts, his non-products; like an air traffic controller trading radar contacts — it was imperative that he knew an awful lot about different things. Dragnetting for knowledge, he ended up knowing a lot of things that were not strictly relevant to his trade. Thus, for example, he knew that Billy had not come by his squat by the usual ritual of crowbars, Loony Brew, sweats, and cold nights on raw floors. In fact, he knew a lot else about Billy, almost everything in fact. He knew so much about Billy partly because they had grown up together, and partly because he was secretly shagging Billy’s mother.

With this Kropotkin threat Billy always gave up arguing. Of course, Savage could simply have said ‘Mummy, Kropotkin’ as soon as Billy opened the door, sending him to the greasy, malodorous sleeping bag in the spare room without debate, saving everyone a lot of time and precious calories, but that would have been no fun. It was no victory unless you rubbed your opponent’s nose in the futility of opposition. For his part, Billy could have surrendered the moment Savage rang the doorbell. However, he was strongly possessed by an optimism derived from an over-active compensatory fantasy function, and this optimism consistently told him, adamantly, without any apparent irony, and without any obvious reference to the unencouraging mountain of precedents, that this time he would fend Savage off.

It was this same mechanism that allowed him to believe that his outward lack of activity was in fact tightly coiled potential.

Billy could call Savage, find out by oblique means whether he had made the Lastname call. He could address Savage as Lucien. Savage hated the name Lucien, and insisted that people call him Savage or, better, Sav, because Sav was reminiscent of savvy, which kind of means suss. However, this plan was fraught with danger and required some careful thought. Hell, he could just call Justin Lastname at The Enemy. That was the only sure way to find out. Yes, that was what he would do. With that, his nausea intensified, and without thinking he fled the flat.

A little later, bolstered by a very rapid can of Stupor Brew and wearing a second in his hand, he made the call expecting to be greeted with indignation and outrage. Billy was risking his life with this manoeuvre: one harsh word could be the end of him and nearly had been on many occasions. A less than doting word or look from the staff at the local burger joint where he went for the free smiles could condemn him to bed on a vodka drip for a whole week. Instead, after a suitably important time on hold, he found himself talking to the same Justin Lastname.

‘What’s up, Billy?’

Once Billy had laboriously explained that the cat he did not have had mistaken the big dog-eared memo pad on which he had not written the name and address of the place they were to meet for the big dog-eared Persian that had never lived next door — on which Billy’s cat would have certainly had a crush had they both existed — and had raped the note into illegibility, they reconfirmed the time and place of their meeting,

‘Cheers, Billy. Thanks for calling,’ said Justin.

Now Billy’s elation was unrestrained. He drained his can in one, and while he waited beerily by the phone for a whole two minutes for Savage to call so he could say ‘Sorry Lucien, can’t make the pub for lunch, I’ve got to see Justin Lastname about the band,’ he reflected that The Enemy could not have called at a better time. Yesterday was Giro day and he still had nearly twenty pounds left, and he was at a relative peak both mentally and physically. Then he stumbled into the toilet, threw up and fainted when he tried to stand.

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A nice cup of tea with nuclear radiation

May 223, 2004

Of all the stupid things people say, one of the most stupid is ‘Would you like a nice cup of tea?’ I mean, what is the word nice doing in that sentence? It’s the sort of thing daft old grannies like to say. ‘Ooh! Let’s have a nice cup of tea.’

So I went round to my Gran’s the other day and I said, ‘How’re you doing Gran?’ and she said, ‘All right, you know, considering.’

She’s dead, my Gran, but she takes great care of herself, you know what I mean?

So she says ‘Come in, sit down. Would you like a nice cup of tea?’

I thought to myself, God, if I hear that one more time … But I said, ‘No thanks, Gran I’m all right.’

Then she said, ‘Would you like a horrible cup of tea?’

I thought for a moment. ‘How horrible? Without sugar?’

‘Without sugar. And I’ll spit in it.’

‘Nah, I’m not too bothered, thanks, Gran.’

‘I’ll put some spiders in. No sugar, spit, and spiders. And I’ll make it with toilet water.’

‘Aye, all right then. Cheers.’

‘And how about some nuclear radiation?

‘Nuclear radiation?’

‘Nuclear radiation. I’ve got some yellowcake.’

‘Now you’re talking, Gran. Champion!’


Un-Tall Tales, Bog, p81

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Stealth publishing: Un-Tall Tales secretly out

The world of publishing has been rocked to its foundations today by the revelation that Chris Page’s collection of short fiction Un-Tall Tales was secretly published on March 31 — 105 days ago.

The announcement today of this act of stealth publishing further wrong-footed literary pundits by appearing not on this site, the dedicated Un-Tall Tales site, but on chris-page.com, the author site.

‘Why let anyone know?’ asked Chris Page (the author). ‘The book only represents millions of hours of hard labour and trillions of brain cells.’

‘I had to figure out how to write the bloody stories, so let everyone else figure out that they’re bloody published. Do I have to do everything for everyone?’ he went on and on.

Un-Tall Tales is 104 pages of humour, satire, acute social observation and sundry giggles.

For more information on the contents of this book see ‘Inside Un-Tall Tales’ on this site or rush straight to Amazon to get your own copy before the POD edition runs out.

Warning: Un-Tall Tales contains all the material published in the ebook Shorts, plus two stories.

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